Category Archives: Essay

James Harriman-Smith, Shakespeare and the City: The Theatrical City

Cheapside ran with wine, Cornhill was festooned with pageantry, and the Lord Mayor dressed in the most elaborate of costumes; 17th November was an important occasion in Elizabethan London, a time when, in Agnes Strickland’s words, “The city of London might…have been termed a stage.” [Ackroyd (2000), 157] 17th November, or Saint Hugh’s Day, was

John Boe, The Tragedy of Macbeth: Bibliography and Film and Video Productions

Bibliography Adamson, Silvia, Hunter, Lynette, Magnusson, Lynn, Thompson, Ann, and Wales, Katie, ed. Reading Shakespeare’s Dramatic Language: A Guide. The Arden Shakespeare: London, 2001. Blake, N. F. Shakespeare’s Language: An Introduction. London: Macmillan, 1983. Bloom, Harold. Shakespeare: The Invention of the Human. Riverhead Books: New York, 1998. ___________, ed. Macbeth. Chelsea House Publishers: New York,

John Boe, The Tragedy of Macbeth: Five Topics for Discussion and Writing

Religion in Macbeth: Some critics and directors have emphasized the religious themes in Macbeth. Where in the play do such themes emerge? What are these themes? Are they explicitly Christian and just generally religious? Important Words and Images in Macbeth: Certain words and images appear over and over in Macbeth. Pick on such repeated word

John Boe, The Tragedy of Macbeth: The Play Today

Macbeth has been one of the most performed of Shakespeare plays, from its initial performance with Richard Burbage in the title role on. In the 20th century numerous acclaimed actors and directors have taken the play on. In 1936 Orson Welles directed a famous “Voodoo” Macbeth at a theater in Harlem, with the weird sisters

John Boe, The Tragedy of Macbeth: Modern Criticism and Critical Controversies

Macbeth criticism varies widely in terms of the critical approaches taken. Macbeth criticism begins in the 18th century, where the moral lessons of the play tended to be stressed. Thus Samuel Johnson summed up the play as “The danger of ambition well described.” And, in typical 18th century fashion, Johnson’s friend, the great actor David

John Boe, The Tragedy of Macbeth: Extracts of Classic Criticism

Samuel Johnson (1709-1784) [From Shakespeare 1765, Johnson discusses the belief in witches and how Lady Macbeth influences her husband.] I. i. Enter three Witches. In order to make a true estimate of the abilities and merit of a writer, it is always necessary to examine the genius of his age, and the opinions of his

John Boe, The Tragedy of Macbeth: Difficult Passages

Act I. Scene 7, Lines 1-28 Macbeth. If it were done when ’tis done, then ’twere well It were done quickly: if th’ assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all — here, But here, upon this bank and shoal

John Boe, The Tragedy of Macbeth: Key Passages

Act I, Scene 1, Lines 1-11 Thunder and lightning. Enter three WITCHES. 1 Witch. When shall we three meet again? In thunder, lightning, or in rain? 2 Witch. When the hurly burly’s done, When the battle’s lost and won. 3 Witch. That will be ere the set of sun. 1 Witch. Where the place? 2

John Boe, The Tragedy of Macbeth: Difficulties of the Play

The shortness of the play Macbeth is the second shortest of all Shakespeare plays, and the shortest of all the tragedies. It was first published in the First Folio of 1623, after Shakespeare’s death. Many have argued that the play as we know it is a cut version of Shakespeare’s original —perhaps cut by Ben

John Boe, The Tragedy of Macbeth: Character Studies

Macbeth, of all Shakespeare plays, has unusually flat characters, The only real personalities are Macbeth and Lady Macbeth. Macbeth and Lady Macbeth as a Couple: The Character of their Marriage In his marriage with Lady Macbeth, Macbeth shows himself to be a traditional modern man. He is like the 1950’s businessman who moves ahead up