Category Archives: Musings

Open Shakespeare presented at NESTA Event

My trip to speak at a ‘digital day’ organised as part of the new ‘Digital Fund for Arts and Culture’ by NESTA (National Endowment for Science Technology and the Arts) was eye-opening, to say the least. I thought I’d put a few of my reflections, general and specific, down in this short post. About halfway

Open Shakespeare at OKCon 2011

OKCon 2011, at the Kalkscheune buildings in Berlin, was fantastic, and I thought it would be a good idea to publish a few reflections on some of the stuff that was going on there, both for the benefit of those who did not make it nor watch the live feeds, and for the chance it

“Time travels in diverse paces”: An Update on Open Shakespeare

May and a month that has only belatedly met the standard of what Shakespeare calls “hot Junes” have passed since last I wrote an update about Open Shakespeare. As ever, quite a bit has been done on the project, and there remains much more to do in the future. If one word could sum up

Open Shakespeare: March and April

Annotation Sprint II Our second annotation sprint, taking place at the end of Cambridge University term attracted contributions from all over the internet, particularly from the States. In Cambridge itself, our volunteers continued working on Hamlet, bringing the total number of annotations on this text to nearly 300. Since this sprint, we have overhauled the

Online Editions of Shakespeare

The story of Shakespeare on the internet is a tangled tale, and this post is an attempt to unravel it. In expounding the advantages and shortcomings of online editions, I hope also to explain a few of the problems Open Shakespeare faces. Editions Used by Open Shakespeare Every work on the Open Shakespeare website has

Shakespeare and Media

I spent much of this afternoon perusing the materials available at Shakespeare’s Staging, after its director got in touch with Open Shakespeare. Amongst all the images of past productions, my favourite was one of the earliest: a drawing of Edward Kean as Bertram in All’s Well that Ends Well. I find you get a real

Open Shakespeare Out of Hibernation

Exam season is finishing, our free time is returning, and Open Shakespeare is coming back to life. We held a short meeting yesterday evening, and can now announce what we intend to do in the near future: EXPAND: there will be an Open Shakespeare Party in Emmanuel Fellows’ Garden, Cambridge at 3pm on 14th June.

Open Shakespeare at OKCON

Last weekend was OKCON, and I delivered a 15 minute introduction to Open Shakespeare there. Little of what I said was new, and the real interest for me came from the discussions I had with other conference-goers during the day. A few of these discussions, and one or two presentations, have given me a several

Cardenio or Double Falsehood

There’s been a bit of a stir in the Shakespearian community recently, what with the release of a new play by the Bard. To be fair, it is not quite so sensational as it sounds: the possibility that part of Cardenio or, as the Arden edition entitles it, Double Falsehood might be by Shakespeare goes

Shakespeare Quarterly part II

Here, for those interested, is my response to Professor Andrew Murphy’s article in the Shakespeare Quarterly: “I am a member of the Open Shakespeare Project (www.openshakespeare.org – not to be confused with Open Source Shakespeare) and found this article extremely interesting. I feel that your conclusion points towards many of the approaches to Shakespeare that